I recently finished re-reading the Prydain Chronicles, a five-book series
by Lloyd Alexander, written in the 1960s. It’s my second time reading through the
series. The first time was 30-40 years ago, so I’d forgotten almost the entire
storyline and most of the characters. (Thus, I could enjoy it anew!) I did
remember the main protagonist is Taran the Assistant Pig-Keeper, and one of his
adventure companions went by Fflewddur Fflam, a Welsh-sounding name. The author
admits that the legends of Wales inspired his book. Not unlike Jasper Fforde, and it was thanks to Fflam that I immediately recognized Fforde’s Welsh
roots!
Of the five books, the most famous is likely the
second book, The Black Cauldron,
which earned a Newberry honor and was also adapted into a Disney animation in
the 1980s. The final book, The High King,
is a Newberry medalist. The fourth book, Taran
Wanderer, is very different from the others. I vaguely recall finding it
the least interesting in my first reading (as a teenager), but this second time
around it’s the one that struck me the most as I’ve looked back and thought
about adulthood, and as I interact with college students mostly aged 18-22 in
their journeys to adulthood. In the book, Taran wanders the land learning different
crafts to find out what suits him, and learning who he is as a person. It made
me think about the craft of teaching!
Each book is quite short, the adventure is brisk,
and I enjoyed the quirks of the main characters, particularly Taran’s three
main companions. Fflewddur is enthusiastic but prone to stretching the truth,
and whenever he does, strings on his (magical) harp break and he has to
constantly make repairs. Eilonwy comes up with the funniest analogies for any
situation. Gurgi’s loyalty is unmatched and many of his sentences end in a
rhyming couplet – he has a voracious appetite and is constantly looking for ‘munchings
and crunchings’.
I can see how Tolkien’s world may have influenced
some of Alexander’s writing. There is magic in the world but it’s of the more
subtle Tolkien-esque variety rather than the more overt role in, say, the Harry Potter series or Feist’s Magician series. I enjoy the
descriptiveness of the landscape scenes, the interesting character development,
and that the author doesn’t have to use big words to convey a deep theme about
growing up and the struggle between good and evil. It’s more challenging, in my
opinion, to write tighter and shorter stories, rather than have a sprawling
series with too many characters, too many twists, and gets burdened down by its
own backstory (think Jordan’s Wheel of
Time or Martin’s Game of Thrones).
When you’re writing for kids or teenagers, you need to do a much better job,
and Alexander certainly succeeds.
Revisiting Prydain made me look for other books by
Lloyd Alexander. I just started on Time
Cat, about a boy and his magical cat who can time-travel, thus allowing the
pair to pop into different eras of history and meet some famous characters
(before they were famous). It’s a little like Bill and Ted’s Excellent Adventure, except no historical characters
are collected and stolen from their own timelines. Rather the boy and his cat
help nudge things along in history. My choice was likely subtly influenced by
playing Chrononauts this past weekend
and enjoying being a time-traveler!
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